Kamnik House of Culture includes a large auditorium, a club, two small halls and a gallery. The Main Hall and Kino dom Club feature most of the venue’s public cultural programme, the small hall provides the venue for dance, sports practice, social group meetings and choral practice, and the gallery hosts exhibitions organised by the Kamnik House of Culture. Location: Kamnik

As a room's confining embrace, Kamra grabs and plunges you in a world of allegories, ruminations and imagery on their debut album Cerebral Alchemy. There is no shortage of uneasiness intertwined with familiarity here. You will hear nods to those who came before and left their mark, only for this five-piece to interpret their legacy in a disturbing, brutal, unnerving, beautiful, even caring way. Their music is permeated by a black metal atmosphere, with a kick of old school death metal, while the vocals leave one questioning genre theory. In this ambiguity and with anonymous band members, Kamra continues to be veiled in mystery.

Location: Kanal ob Soči

Kapelica Gallery (1995) is one of the leading venues for contemporary investigative arts worldwide. With a programme which consists of spatial installations, performances, sound research and theoreticallyreflective lectures, Kapelica Gallery challenges scientific and technological applications, biopolitics and urban phenomena, addressing both professional and general public. Location: Ljubljana

Karmina Šilec has brought freshness and originality to the world of music and theatre. As a theatre director, conductor and composer she has projects with various companies, drama and opera houses, festivals and ensembles worldwide. Karmina has developed the artistic concept Choregie. 

Katalena trace their beginnings to a music workshop organised in summer 2001 in Črmošnjice, a village on the edge of Bela Krajina (White Carniola). Although devised as a one-off project, the workshop soon developed into a full-time band. Katalena draw inspiration from Slovenian folk music heritage but instead of seeing it merely as a resource seek to establish a dialogue with the past through music and lyrics and thus reflect on their own embeddedness in time, space and community, as well as its history and present-day reality. Katalena are one of those bands that resonate with all generations and have garnered great critical acclaim both at home and abroad.

Katarina Juvančič and Dejan Lapanja first appeared on the Slovenian music scene in 2009, when their folk-rock song Uej uej (Magdalenca) entered the Slovenian National Radio’s newcomers contest. Often described as alt-folk, bridging modern trends and ancient folk influences and sensibilities, their music has twice won awards at the Slovenian songwriting competition. Katarina and Dejan’s debut album, “Selivke” (Migratory Birds), garnered high praise in Slovenia and abroad. Featuring 17 artists from Scotland and Slovenia, their second album “Hope’s Beautiful Daughters” was released in August 2014. The third release, “Vmesje” (Betweenings), came out in 2017. The duo has performed in Slovenia, Austria, Bosnia and Herzegovina, Croatia, Germany, England, Ireland, Scotland, Serbia, Kyrgyzstan, India and Sri Lanka.

Katarina Pustinek Rakar graduated in composition from the Ljubljana Academy of Music, where she later also received her master’s degree. She composed more than a hundred pieces, predominately for various vocal ensembles or solo voice. She also composes pieces for solo instruments, chamber ensembles, and larger works for wind and symphony orchestras. She teaches at the Ljubljana Conservatory for Music and Ballet and at the Ljubljana Academy of Music.